Pop Pistol: Making Music in the Digital Age

Pop Pistol: Making Music in the Digital Age

by Diana Phillips, Senior Staff Writer | IgniteSA Magazine | Cover Story

“When I first experienced music it was on old records that seemed to be magic vessels,” Alex Scheel recalls. “I would take in the artwork, read every word, look at every picture and imagine the far away places that the music came from.”

Scheel, the frontman of San Antonio-based beat-centric, atmospheric, indie electro-rock band Pop Pistol, waxes nostalgic about the vinyl experience: the artwork, the liner notes, sliding a 12-inch record out of its sleeve, placing it on the turntable and dropping the needle onto the first groove. All of this, the experience of listening in a room, holding the tangible product in your hands, the pop and sizzle of the static teasing your eardrums as the first track begins to play, this is the allure of vinyl - still cool even as ever-shifting technologies transform the music industry into a predominately digital marketplace.

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Backstage Pass: The Last Living Slut

Backstage Pass: The Last Living Slut

I recently came across a memoir whose cover dared me to pick it up - "The Last Living Slut: Born in Iran, Bred Backstage." A black and white photograph of a young girl wearing an Islamic headscarf stared back at me, her face half hidden beneath irreverent symbols of Rock ‘n’ Roll. I devoured 145 pages in-store before making my way to the cash register.

Roxana Shirazi emigrated from Iran to England at age 10 to flee the Iranian Revolution. She came from a culture where women were not allowed to show skin or express their sexuality and entered the adult playground of Sex, Drugs and Rock ‘n’ Roll.

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